Girls. Fun, floral and floaty, this green hanky-hem dress is a pretty pick for wherever your warm weather plans take you..
- Light green
- Floral print
- Square neckline
- Short puff sleeves
- Elasticated cuffs
- Cut-out sides
- Hanky hem
- Lined
- Mini length
- Chiffon fabric
- Model is 5'1"/156cm and wears age 12/height 152cm-158cm
100% Polyester.
Machine washable.
Girls. This black mini dress will make a pretty addition to your collection with its ditsy floral print. A ribbed finish guarantees all-day comfort too.
- Black/white
- Ditsy floral print
- Square neckline
- Short sleeves
- Ruched bust
- Mini length
- Ribbed cotton blend
- Regular fit
- Model is 5'5"/165cm and wears age 12-13/height 152-158cm
95% Cotton, 5% Elastane.
Machine washable.
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Product Specifications:
- Unstitched Embroidered Net Dresses Online
- Replica Dress
- Condition: Unstitched
- Collection: Party Wear Dresses Online
- Zari, Thread, Pearls & Sequins Embroidery Work
- Handwork Heavy Embroidered Neck
- Handwork Heavy Embroidered Net Front
- Heavy Embroidered Net Back
- Handwork Heavy Embroidered Net Sleeves
- Heavy Embroidered Front Daman Patch with Hanging Tassels
- Heavy Embroidered Back Daman Patch
- Heavy Border Embroidered Net Dupatta
- Plain Silk Trouser
- Plain Crepe/Malai Inner Includes
- Same as Shown in Unstitched Pictures
- Cash on Delivery Service
- 7 Days Return & Exchange Policy
This product belongs to below collections:
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Product Specifications:
- Unstitched Embroidered Linen Dresses in Pakistan
- Replica Dress
- Condition: Unstitched
- Collection: Formal Dresses in Pakistan
- Digital Print Linen Front
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- Digital Print Linen Sleeves
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- Plain Linen Trouser
- Same as Shown in Unstitched Pictures
- Cash on Delivery Service
- 7 Days Return & Exchange Policy
This product belongs to below collections:
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women
have a different approach to designing menswear than their male counterparts? An increasing number of women are choosing to specialise in menswear – and doing so very successfully. Perhaps they benefit from knowing what makes a man look good through the eyes of a woman; perhaps they can be more objective.
I went to meet three designers at the forefront of everything that is good and exciting about menswear at the moment, mainly to ask their advice on how I should be dressing. If nothing else, I’m self-interested. The three are producing wildly different collections, but covering some of the biggest trends right now: sportswear, functional workwear and pared-back simplicity.
Whistles Menswear has only just celebrated its first birthday, but has already established itself as a destination for high- quality classics; Lou Dalton is a mainstay of LC:M with her beautifully constructed, often worker-inspired collections, and Astrid Andersen is pushing streetwear forward with her innovative use of fabric and colour.
Rosamund Ward joined Whistles two years ago and set about creating its menswear division. When I pitched up she immediately recognised that my grey marl sweatshirt was from British menswear brand Albam. She worked there for almost five years and remembered getting the cuff detail made. No doubt those eagle eyes come in useful. She describes working at Albam as being a “complete education into the design and manufacturing of really quality clothing”.
o women have a different approach to designing menswear than their male counterparts? An increasing number of women are choosing to specialise in menswear – and doing so very successfully. Perhaps they benefit from knowing what makes a man look good through the eyes of a woman; perhaps they can be more objective.
I went to meet three designers at the forefront of everything that is good and exciting about menswear at the moment, mainly to ask their advice on how I should be dressing. If nothing else, I’m self-interested. The three are producing wildly different collections, but covering some of the biggest trends right now: sportswear, functional workwear and pared-back simplicity.
Whistles Menswear has only just celebrated its first birthday, but has already established itself as a destination for high- quality classics; Lou Dalton is a mainstay of LC:M with her beautifully constructed, often worker-inspired collections, and Astrid Andersen is pushing streetwear forward with her innovative use of fabric and colour.
Rosamund Ward joined Whistles two years ago and set about creating its menswear division. When I pitched up she immediately recognised that my grey marl sweatshirt was from British menswear brand Albam. She worked there for almost five years and remembered getting the cuff detail made. No doubt those eagle eyes come in useful. She describes working at Albam as being a “complete education into the design and manufacturing of really quality clothing”.
o women have a different approach to designing menswear than their male counterparts? An increasing number of women are choosing to specialise in menswear – and doing so very successfully. Perhaps they benefit from knowing what makes a man look good through the eyes of a woman; perhaps they can be more objective.
I went to meet three designers at the forefront of everything that is good and exciting about menswear at the moment, mainly to ask their advice on how I should be dressing. If nothing else, I’m self-interested. The three are producing wildly different collections, but covering some of the biggest trends right now: sportswear, functional workwear and pared-back simplicity.
Whistles Menswear has only just celebrated its first birthday, but has already established itself as a destination for high- quality classics; Lou Dalton is a mainstay of LC:M with her beautifully constructed, often worker-inspired collections, and Astrid Andersen is pushing streetwear forward with her innovative use of fabric and colour.
Rosamund Ward joined Whistles two years ago and set about creating its menswear division. When I pitched up she immediately recognised that my grey marl sweatshirt was from British menswear brand Albam. She worked there for almost five years and remembered getting the cuff detail made. No doubt those eagle eyes come in useful. She describes working at Albam as being a “complete education into the design and manufacturing of really quality clothing”.
Leaving the plastic world of TV far behind them, in 2006 Mary-Kate and Ashley Olsen launched The Row, which mainly served the minimalist Upper East Siders of Manhattan with chic, yet eye-blisteringly expensive slip dresses and shaggy fur jackets. In 2016 the brand released a menswear capsule, which then led to the sisters launching a fully fledged menswear division in 2018. The same ethos was carried into the men's line and the pair have consistently presented sharp tailoring, baggy trousers and luxuriously soft cashmere knitwear in muted hues that we can't get enough of at GQ.
Alongside her role as the creative director of Miu Miu, Miuccia Prada is the co-chief executive and co-creative director of Prada, which was founded by her grandfather Mario Prada in 1913. Having joined the brand in 1978, Prada released her first menswear line in 1995, which is second-to-none, exhibiting expertly cut tailoring, eye-catching graphics, dreamy wool and nylon outerwear, triangle-shaped motif and excellently angular footwear.
Following Lee Alexander McQueen's death in 2010 his former colleague and long-term friend Sarah Burton took on the difficult task of continuing the great designer’s legacy. Yet the Manchester-born and Central Saint Martins-educated Burton has succeeded, subtly changing the aesthetic of the house, while remaining true to the late namesake designer's iconoclastic codes. While other houses have gone über-sporty, Burton's seasonal McQueen menswear collections are tailoring-centric, and you'll find thistle-embroidered DB suits sitting alongside floral-printed single-breasted numbers, the latter which have taken Timothée Chalamet's fancy in the past. Burton has received a coveted Order of the British Empire for her services to the British fashion industry, as well as The Walpole Award for British Luxury Design Talent , the Designer of the Year Award at the British Fashion Awards, and a CFDA International Award.
Donatella Versace has held the position of artistic director and vice president of Versace since 1997, after her brother Gianni's death. Introducing accessories and homeware to the brand, she has continued to impress with her men's read-to-wear offering. In 2018 we awarded Versace the GQ Designer Of The Year award for her consistently “energetic, youthful and desirable” collections, as described by GQ Style And Grooming Director Teo van den Broeke, which are filled with logo-heavy denim, brocade shirts aplenty, clashing animal prints and slick tailoring.
In 1968, German designer Jil Sander founded her eponymous luxury label, which is recognised and adored for its minimal and puritanical neutral-hued outerwear and laid-back tailoring. In 1999, the Prada Group bought a 75 per cent share in the company and in 2003 Sander left the house, before returning in 2012 for three seasons. Despite no longer having anything to do with the brand, 77-year-old Sander remains a key figure in the fashion industry and designs that same stripped-blacked clothing for Uniqlo's sellout J+ line.
At just 29 years old, Marine Serre is one of the most exciting designers in the game. Serre held internships working under Matthieu Blazy at Maison Margiela, Sarah Burton at Alexander McQueen and Raf Simons while he was at Dior, before embarking on a role as a junior designer position at Balenciaga under Demna Gvasalia, during which time she also worked on her own label. In 2019, she launched in menswear, with collections characterised by super-fine turtleneck knits, tie-dye silk sweatshirts made of upcycled materials and baggy denim. At the end of 2020, after the likes of Beyoncé and Dua Lipa made her a household name, A$AP Rocky collaborated with Serre on a limited-edition capsule collection.
Footwear designer Aurora James might not be a household name just yet, but through her brand, Brother Vellies, she's been backed by Kanye West, who supported her during New York Fashion Week in 2015, and Beyoncé, who regularly slips into her heels. Her menswear offering, made up of denim strappy sandals, patent cork and springbok fur Derbies and zebra-print wrap-tie sandals, is crafted using shoemaking techniques from South Africa.
